NZFF Archive Reviews - 2010
A mindbender,Triangle is the tale of Melissa George's Jess who one day goes sailing with 5 friends.Out on the water,they end up capsized when a storm passes by.From out of nowhere,a ship appears and the remaining survivors jump up on it-finding it deserted,they try to see who's onboard and how they can get home-but soon,one by one they're dying.All except Jess...Triangle is a superior piece of film;it draws out the tension by leaving it for quite a while before the horrors begin to unfurl.But if you're expecting horror on the boat of the nutter on the loose kind,you're on the wrong track as director/writer Chris Smith throws in a time travel plot as well..It's really smart,suspenseful stuff and holds you right until the very end.Sure you may guess some of the tricks(if you've seen the marvellous TimeCrimes)but the pieces don't fall into place until the very end.Mindblowing and head-scratching,this needs your love and time.A great end to the Akl festival for 2010.Here's to 2011!
The free China Junk
The story of five fishermen who set off from Taiwan in 1955 to get to San Francisco (a 6000 mile trip)in an old junk vessel has charm aplenty.Robin Greenberg's crafted a doco which is gentle,easy on the eye and at times akin to a shaggy dog story-which is 100% true.None of those involved in the voyage had any experience of the wider sea-and none of them had any sense of the achievement they may get when the journey was completed.Using footage shot at the time of the voyage, accounts from those onboard and documents,the whole journey is wonderfully brought to life-throw into the mix a few humourous anecdotes and comments-one remarks how he didn't know how to swim and it doesn't matter because he'll suffer less if they come across trouble.But the vignettes flow so well and the footage used sews such a rich nostalgic tapestry,that Free China Junk achieves such a lot in its 100 minute running time that it'd be hard not to be entertained by this doco.
The Killer Inside Me
A difficult watch to say the least,The Killer Inside Me (from Michael Winterbottom)is an adaptation of a Jim Thompson book about a sociopathic sheriff in 1950s Texas.Casey Affleck plays said Sheriff Ford who finds himself entangled in blackmail and extortion-as well as a torrid affair with prostitute Joyce(Jessica Alba)-and when things come to a head,boy oh boy do they explode as Ford discovers he's heading in deeper and deeper.This film,despite its slick 50s look and polished performances is going to be steeped in controversy because of its violence-well,specifically its violence against the two women in Ford's life-both played by Alba and Kate Hudson-which are shocking in the extreme.While Affleck's performance is chilling and spot on,it's a hard ask to watch a man who's meted out such violence as he has-audiences may find themselves split down the middle on this flick which has echoes of American Psycho(but none of the humour)
British satirist Chris Morris turns his eye on four would be suicide bombers in this hilariously insane comedy.Sure,in anyone else's hands the words suicide bombers and comedy wouldn't work but with Morris,everything in this film works.From the minute the film opens,it's clear the clueless quartet have no idea what they're doing-in Morris' hands (along with script writers of the brilliant Peep Show)this is savagely funny(even if you can see some of the jokes coming)-what they've done is take logical arguments over the matter to the absurd end.It's farcical in places and yet as the final scenes roll out,it's also quite sad as you realise these four have negotiated themselves into a corner.There's also endlessly quotable lines too which will find their way into people's Facebook statuses..But no one in this ends up superior -even the police are incompetent(a great scene arguing a bear or Wookie during a fun run)-however, be warned this film contains an infectious Toploader song.Awesome.
How I Ended This Summer
A Russian drama with only 2 cast members (and only a polar bear)set in the Arctic may sound like an odd choice but this drama is deliciously bound to catch you unawares.Seasoned worker Sergei and newbie Pasha work at a station,collecting data and relaying it back and forth via a radio to the mainland.One day Sergei heads out fishing to break the monotony of the routine-but while he's out Pasha gets a message involving Sergei's family-and doesn't relay it.Caught within the lie,it's only a matter of time before everything explodes.With sweeping long shots capturing the remoteness of the landscape,this is quite a magnificently brooding piece(once your inner voice stops screaming why didn't he tell him)which you'll find yourself swept up in-never before has a non-delivered message caused such tension and such dread.Magnificently played by the leads and evocative,this will catch you offguard and sink you deep into its world- and leave you with much to discuss afterwards.
Pitched as an odd comedy in its trailer,Cyrus stars John C Reilly,Jonah Hill and Marisa Tomei as a mismatched trio.Reilly is John a divorcee who meets Marisa's Molly at a party and they hit it off;so much so that after 7 years estrangement,he thinks she could be the one.There's only one problem-her 21 year old son Cyrus(Hill)who initially welcomes John to their home but soon starts to act up in order to get him out.Cyrus is a polished little gem of a film, delightfully quirky and confounds every expectation-while still delivering plenty of laughs and a good dose of heart.Appears to have been shot on handheld cameras so they swoop in and out capturing every awkwardly odd moment.It's played very straight by the cast and Hill delivers a knockout performance of comic menace via Cyrus.Reilly's equally as good at the deadpan too-and Tomei is great as the mom who can see nothing wrong with the relationship.An unexpected treat in more ways than one.See it and love it.
Showing as part of the Homegrown section,this short is a fictionalised effort centred on the events which led to the shooting of liquor store owner Navtej Singh.The short starts with a teen petting a horse,engulfed in his innocence before his peers collect him in their car and then head off;a liquor store owner works the late shift as his wife spends time at the temple-he's berated for not visiting his father.Sam Peacocke's direction masterfully weaves together several strands as we cut back and forth from different Sth Auckland snapshots before the tragedy unfolds.Manurewa doesn't profess to offer answers over what exactly happened but merely shows a community unfolding into events around it;it's life in a heartbeat as it all changes around them and lives collide in a brutal moment which shapes everyone's future.This is a haunting short with a final shot which will stay with you for a while after it ends.Manurewa is an intelligent education into a shocking event
When You're Strange
Laying the ghost of Oliver Stone's The Doors to rest is no mean feat-but this doco by Tom DiCillo brilliantly beats the final nail in the coffin of Stone as it recounts the story of the Doors,their formation and their eventual demise.And it's really down to one person-again.Jim Morrison;using footage from the man himself,it superbly pieces together what made the Lizard king tick,how the band worked and why they worked.Narrated with typical ease by Johnny Depp,this morphs together music,concert footage, pictures and interviews to produce a hedonistic,hazy,at times trippy version of the life and times of the influential band.With a whirl of images heading on to the screen and at you,it,at times, feels like you've dropped LSD with the rest of them and are part of the times.It does a wonderful job of encapsulating why Morrison was such an enigma and gives you enough footage to salivate the oldest of fans.This year's best musical doco is a wild ride back into the original Wild child.Genius.
A bittersweet comedy about two Russian artists who end up in Auckland certainly saw the aisles packed out for the world premiere in Akl.Stephen Papps and Elena Stejko star as Misha and Nadia in this odd piece about adjusting to life in a foreign land.Misha is a tortured artist who believes in his work and is intense in his outlook;Nadia realises that she can't support both of them and leaves the relationship.But her descent into the seedier side of nightlife sees both of them suffer an epiphany.With black and white shots of art at work or in progress punctuating the story,it takes a little time to get used to.However,while some may find it difficult to puncture through,there's actually quite a sweet tale of Misha's growing up, the ties that bind and getting in touch with what matters-as he says at one point:"It's better to be a good man than a great artist."
The Insatiable Moon
Shot on a shoestring budget when the Film Commission passed,The Insatiable Moon became a labour of love for those involved.It's the story of Arthur(a tremendous powerhouse performance from Rawiri Paratene)who believes he's the second son of God and who frequents a halfway house run by Greg Johnson's Bob in Ponsonby. However,Arthur's life intertwines with Sara Wiseman's social worker at a time when the boarding house is threatened with closure.The Insatiable Moon is a story of heart and compassion, populated with some truly brilliant and crowd pleasing performances from the central cast.It's got audience pleasing moments throughout as well as some laughs but it's Paratene's impishness and charm which sees this film from beginning to end;with big eyes and a disarming grin,he's the heart and soul of the film which binds the whole thing together.However, he's nearly upstaged by Johnson and Wiseman who imbue their roles with such class,it's hard not to be swept along by this tale.
I Love You Phillip Morris
Jim Carrey stars as flamboyant conman Steven Russell in this film which is outrageous and fun at the same time.Adopted at birth,Russell feels he's living a lie and suddenly decides everything must change-so he starts committing frauds left right and centre to pay for his life as a gay man and enjoy the extravagances.But as ever,the law catches up with him and banged up,Russell finds Ewan McGregor's sweetly touching Phillip Morris and the two fall in love.However,Russell's determined to get out of jail and does everything in his power to ensure Morris and he have a life together-but it doesn't run smoothly.Light, frothy, funny and outrageous in equal measures,ILYPM is a hilarious and insanely fun ride with scenes which will shock and surprise you.Carrey is very good as Russell but it's McGregor who's the best thing in this with his performance just endearing on many levels.OTT it may be,but it's a great piece of popcorn entertainment.
Easily the slowest film that I've seen this festival,Police Adjective is the Romanian tale of detective Cristi who's undercover and tracking a drugs ring.But without the flashy action of Hollywood,this film is a slow burning piece which looks at the procedure of gathering evidence,pulling together reports and deciding on courses of action.But the point of difference in this film is Cristi-he's not convinced that the kid he's tailing deserves to go to jail for essentially merely smoking hasish-with pressure mounting from his boss to find evidence and to hurry a sting operation,Cristi's conscience starts to get the better of him as he worries that the kid could do jail time for an insignificant crime.To say very little happens in this film is to do it a disservice;sure, it's a slow building piece but there's smart humour within -once you get used to the long shots and Cristi simply tailing his suspect and watching and following,there's a whole world you realise you've been sucked into.
Vinny from TV2's Entourage aka Adrian Grenier latest doco is an interesting look into the world of the paparazzi - but with one very real difference. Grenier is stunned to find himself papped by 13 year old Austin Visschedyk.But Grenier is not alone-with the likes of Paris Hilton and Desperate Housewive Eva also being papped by the kid. So Grenier forms a friendship with the kid to find out how someone gets into this and why (hint- there's a lot of money to be made from the "ahh, it's a kid, sure I'll pose" attitude) But Grenier finds more than he bargained for over the years of the doco as he sees Austin enveloped by the world and begins to realise he's helped create a monster.A brilliant doco which not only explores the methods and motives of those paparazzi but also offers up the question of whether the pair can be friends when the camera's off.Wholeheartedly recommended in these days of tmz, people magazine and others of their ilk. A smart assured debut for Genier.
A Town Called Panic
If a Belgian stop animation film using toy farm animals,a cowboy and Indian and a horse doesn't sound like your kind of film then this won't be for you.Based on a surreal Belgian TV series,this is the full length version of the lunacy which sees Cowboy and Indian forgetting Horse's birthday and deciding to build him a BBQ to make up for it.But an ordering error sees them get too many bricks and soon their home is crushed and sent to the earth's core, where their adventure gets even more insanely mad.However,it's not really a film for coherency it's more about mad moments reflected up on the big screen-moments such as a giant penguin robot operated by mad scientists throwing snowballs at a small village for giggles.However, despite the surreal display of madness,this is quite a fun piece of throwaway cinema which may appeal to those looking for a bit of escapism from the thought needed for some films.Another fine selection from Ant Timpson's Incredibly Strange-and deranged.
This year's nature doco of the festival is an outstandingly shot,relatively non preachy primarily French piece about the majesty and bounty of the Oceans of our planet.With laconic and sparse narrative from Pierce Brosnan,the gorgeously shot footage sweeps and swoops in and out of the waters of the world, as our senses are bombarded with wondrous images of sealion,marine iguanas,a sea otter smashing shells on a rock on its belly to feed-to scenes of squid fending off crab who've wandered too close to their territory.It's hypnotic mesmerising snapshot of some of the world around usWhen Pierce is not talking, then this really is when the film soars(no disrespect intended) because there's nothing to beat the beautiful viciousness of nature at work as we take a stroll through the water wildlife - funny, touching, awe inducing,Oceans truly is a majestic piece of cinema,which needs to be seen on the big screen and is a reminder real life is all around us and wonderful.Superb.
Rachel Weisz stars in this Spanish made historical epic about ideological struggles and astronomy.She plays Hypatia,history's first mathematician-philosopher in the final days of the Roman empire in 4th Century Alexandria.With the rise of Christianity,the Alexandrians are violently divided as the opinions clash-most of the time with bloody consequences.It's a sumptuously shot piece of film(similar in style in many ways to HBO series Rome)and a great performance from Weisz as Hypatia.While it doesn't soar as much as it perhaps should,there's still plenty to admire from this-it's a real thinking man's kind of conflict struggle as the library in Alexandria becomes the scene of a major siege and one final fight.Despite its epic feel,it's also quite individual in its treatment-Hypatia's slave loves her but is torn with his Christian beliefs and there's betrayal all round.Agora is a marvel on the eyes and is a more intellectual entry into this year's festival.
The Loved Ones
Or as it'll be known-that film where the Twilight star gets tortured and endures the worst prom night since Carrie.Xavier Samuel is Brent,a mess after killing his dad in a car crash.He rejects the advances of Lola who asks him to the end of school dance because,well,he's going with someone else.Big mistake.Lola and her deranged dad then abduct Brent and the worst night of his life begins.Aussie comedy horror The Loved Ones is a twisted treat;a comedy horror which is equal parts laugh out loud and violent outbursts.Xavier Samuel has little to do except brood and be tortured but it's Robin McLeavy's at times psychotic portrayal of Lola which keeps your eyes glued to the screen.The whole of Brent's night is interspersed with his friend's prom night with high school and messed up hottie Mia(Packed to the rafters' Sammy)-and it's a nice contrast with Brent's night.Cool filmmaking from Sean Byrne make this a real crowd pleaser and a real violent surprise.Recommended.
The Human Centipede
Erm,sometimes cinema leaves you lost for words.Touted as the most disgusting film at the festival this year,this flick is more about the discomfort in your mind-although I'll freely admit what you see on the big screen ain't exactly comfortable viewing at various moments.Loosely plotwise(it's all there in the title)a lunatic Dr who specialises in separating Siamese twins decides to join people instead.2 American female tourists get lost in the woods in the dark-and guess what?Yup they end up at the mad scientist's house and part of his Siamese triplet experience...The Dr looks like Christopher Walken's time ravaged brother and seems to have swallowed more than a small portion of ham when acting.It's not exactly well acted (although there are some human touches)and it's all about the gross factor but there are still some funny moments-this really is cinema to cringe to in more ways than one it has to be said.If you like your cinema a little on the edge and out there,it's for you.
Winner of the Grand Jury prize in 2009 at Cannes,A Prophet clearly deserves its accolades.This is the tale of Malik,a French Arab sentenced to 6 years in jail who,thanks to a terrible act early on,finds himself a pivotal part of the Mafia scene.Set entirely in the jail,this sophisticated, restrained and sensitive drama (with a wonderful performance from Tahar Rahim)follows the path of a crim as he tries to survive and as he rises to the top of the underworld.Don't be put off by 155 mins running time;every single minute continues to build a richly layered and subtle film which is nothing like you've come to expect from the prison genre.Sensitive direction and great performances allow it to soar.This is a film to be treasured-this is cinema at its most searing;a film which you can't tear your eyes from and one which will live on with you after you leave the theatre.Stylish and realistic, A Prophet is up there with the best of the 2010 festival.See it as soon as possible.
Kristen Stewart and Dakota Fanning leave their Twilight images behind in this tale of hedonism, hard rocking and harmonies.Set in the 70s it's the tale of Joan Jett and Cherie Currie and how their rock and roll lives collided and they blazed the trail for women in rawk music.Mostwill come to see Kristen,but this film belongs to Fanning as drug addled Currie and Michael Shannon as the maestro who sees the potential of the female band-it's their relationship with everyone else which eclipses most of the film itself;and thanks to great performances and a hit of humour here and there,it fizzles as it evokes the times.Stewart is good as Jett; all raw intensity and brooding explosiveness but there's more humanity on display by Fanning as her rock'n'roll dreams come to a head and she starts to lose her way.Sure, parts of it will be claimed as jailbait,but the fact it's all true steer the film from sleaze.And a great soundtrack helps set the vibe and feel-go grab yr guitar and rock out.
Ever since I was young I wanted to go into space - and these days, you no longer necessarily need heaps of training merely cash.This brilliantly shot doco focuses on Indian/Iranian Anousheh Ansari whose ambition it was to go into space. So 20 million down and a lot of time inside Star City, a training facility, she managed to do just that. Marvel at the drive of someone who knows their very life could be lost by doing this and then gawk at the shots of the Earth in its majesty from the windows of the space capsule. Be stunned by the rigorous training schedule - one wannabe spends time testing all the foods which will be frozen. But on the opposite end of the spectrum, the camera crews follow those who don't have 2 pennies to rub together as they salvage bits which fall off the rockets launched into space to repair rooves and build shelter;it's a startling contrast in a film which is entertaining, informative and never once stops you looking up at the sky and wondering when your turn is
Charming and a bit wry,Please Give sees Catherine Keener's Kate suffering from guilt-she lives in a downtown NY apt and spends her time running a business with hubby Alex(Oliver Platt)which buys dead people's furniture and then sells it on at a profit.But as they befriend the granddaughters (Rebecca Hall and Amanda Peet)of their elderly next door neighbour she starts to feel bad about what they do-as does Alex(but his guilt manifests in an affair).Plus throw in a teenage daughter and the mix is somewhat of a complicated one.Mind you, this never really gets past gentle comedy-it's more an examination of white middle class guilt and Kate is pathologically driven to give and donate to everyone -except her daughter.There's some laughs to be had from Alex's offbeat remarks and performance as well as the elderly grandmother's directness but it's really quite a soft film which easily passes 90 minutes in good company.
A captivating film, The Arbor is set on a tough housing estate in Bradford, England and is the tale of young mother Andrea and her struggle to survive on the estate she spent her whole life on.A true story,Andrea's tale is a self written one and adapted into a screen play-it's one of a mother with three children to three different fathers-and was written as an escape from her troubled life.Andrea was a young mother, her second baby was to a local Pakistan lad in the estate who abused her and so the spiral begins.This story starts with the Andrea's story but finishes with her half English half Pakistan daughter's life story,whose tale is full of drugs, children been taken into care and multiple men. The beauty of this film is how it's delivered, as a live version of the play is acted out and lip-synched onscreen within the actual arbor of the estate. Families watch this haunting story and the audience were hooked-both on the screen and in the cinema.A must see, gripping and realistic.
Women Without Men
Dramatic film about women in Iran that crave their own freedom;freedom from politics, arranged marriages or the pressures to wear the traditional veil.As a woman takes her own life protesting at being married off and as a womanâ€™s graceful age becomes a barrier to how she is treated by her husband show how this film takes the audience on a journey of three women make a better life for themselves on their own,and solely their benefit. This film opened my eyes to the oppressed culture that woman accept being part of their culture and how imperialism from the western world will never change their attitudes to women and their feelings and opinions.All the woman wanted in this film is to find a new form,a new way of release which I donâ€™t think in this day and age is too much to ask for.This film made me realize how lucky I am to be a woman born into a society in New Zealand where my voice and opinion is respected and itâ€™s my decision when and whom I wish to marry,that I am very grateful for
My Dog Tulip
This animation adaption of the book written by J.R. Ackerley absolutely blew me away, as I am not one for this genre;although this film was clever,witty and sentimental which I enjoyed every minute of. As a female Alsatian dog affectingly named Tulip was rescued from a working class family who don't have the time or the energy to care and love such a beautiful animal,Ackerley in his late fifties decided to take it upon himself to give Tulip a loving home which filled an empty void in his own life.Even though Ackerley lost many friends due to this boisterous animal, he gained this back through the love, humor and devotion for 15years of companionship.This film is truly incredible, my favorite film so far and my first truly enjoyable animation.I know the audience fell in love with the rogue of the animal as much as Ackerley did by the way they laughed and listened while we experienced the finer details of a grown man trying to find a suitable suitor for his beloved dog.Highly recommended
A doco about women's rugby in Iran sounds like it'd be somewhat odd to rugby lovin Kiwis-however, this debut piece by Faramarz Beheshti may open a lot of people's eyes to major injustices in Iran.Some may already have views on how women are treated there but I guarantee you won't be more outraged to hear about the restrictions placed on the Iranian women's rugby team-including the oppression they face when trying to train, the restrictions placed on the governing bodies and the general disdain those who try to change things are treated with.Sure, it could be a political film but what it actually turns out to be is less of a diatribe against these injustices but a simple presentation of the facts of daily life.There's a light touch to the doco and an incredibly dry disarming humour running throughout.As Faramarz himself said this film may surprise some,but it's only when seen through Western eyes-the ladies who play rugby simply accept the reality of life and get on with it- regardless
Here it is the first film of the festival which is truly unmissable;a Spanish drama set in a prison which sees a riot take place and a guard trapped within.The irony is the guard's not due to start until the next day and just came in early to get the lay of the land;so with his identity unknown,he sets about befriending the riot leader to try and defuse the situation.But soon,he's in deeper than he could ever imagine and his life will never be the same.To say more would spoil it..Thrilling,tense,spectacular and wonderfully played,Cell 211 is astonishingly good and criminally brilliant;with great lead performances and a script which sizzles with shades of grey, it's a great piece of cinema which grabs you by the cojones right from the start and doesn't let up.With twists and wonderful cinematography,it's possibly also the contender for most likely to be remade by Hollywood.so do yourself a favour and see it now before that's done.Cell 211 is 100% guaranteed to blow you away.
The hopes and Dreams of Gazza Snell
A brand new Kiwi film with a world premiere at the film fest is always something to savour-and fortunately The Hopes and Dreams of Gazza Snell lives upto the billing.Set in East Auckland's Howick it's the story of William McInnes' manchild Gazza Snell,whose world is falling apart with a failing business and all he's obsessed with is getting his eldest son to Milan for a karting championship.However,when his youngest is seriously injured in a crash,Gazza loses touch with reality and his insistence on focussing solely on the karting causes the family rift to widen.Gazza Snell is a feelgood Kiwi battler kind of treat-despite the initial beginnings there's plenty of warmth in this tale of a suburban dad;thanks to good solid performances from McInnes and Robyn Malcolm as his desperate housewife, it succeeds - even with its sentimental ending. Gazza Snell i's packed full of heart, humour.. and Howick- first Kiwi film of the festival deserves to be a massive hit.See it soon!
Adrien Brody and Sarah Polley team up in this flick about two scientists who splice human and animal DNA together. But despite a lack of morals and ethics at the start(cos they're caught up in the heady excitement of the experiment)the pair are quickly divided when the creature is born;Polley's Elsa wants to keep the female creature but Brody's Clive, despite wanting to be a dad, wants shot of it.There's little really of the legal and ethical debate but it becomes quite a curious mix of horror and unsettling incest toward the end-but thanks to a sensitive performance from Delphine Chaneac as the creature (who's a mix of Gizmo and the bald chick from Star Trek 1)it's really quite an impressive piece of film and not a bad entrant into the mad scientist/ abhorrent experiment genre.Sure there's the icky moments and the slightly disturbing moments but what else would you expect from Ant Timpson's Incredibly Strange Films?
The notion that I'd spend 90 mins in a cinema on a sunny Sunday watching a film about a woman who gets hooked into competitive jigsaw puzzling sounds like a strange one.But yet this is what the 2010 NZ International Film Festival's all about-that difference;from the worlds of difference section comes Puzzle, an Argentinian film about such a subject. However, it's not dreary at all- it's a strange mix of relationships,a desperate housewife and an addiction to jigsaw puzzles.When she hits 50 Maria suddenly finds a way out from domestic life by becoming hooked into this world-but there's nothing implicitly wrong with her life(her husband loves her and the kids too)it's just she's looking for something different. Good performances and something different is what Puzzle is-it's acutely told and simmers along. Maybe you should go see it and watch the pieces fall into place (just like one of the jigsaws Maria's so quick to assemble)A different afternoon's cinema.
Just what is it with rich families?So much money, so much opulence and luxury - and clearly so many issues -this remake of a Korean classic sees a young divorcee given the role of a housemaid in the Hoon family house.The man of the house suddenly starts taking the master and servant a little too far(despite a daughter and heavily pregnant wife) and soon, all manner of problems are on the way as she becomes pregnant. Soon the mother in law is poisoning her daughter and the duo plot to get her our of their lives for good-and however they can. It's quite a slow building film but one with some racy moments and some wonderful visual touches; there's plenty of starched white around as well-from snow to shirts,this is a house which stinks of repression.But it's a believable story, well told (aside from the final few scenes which take away some of the overall feel of what's gone on).A strong thriller and one which you can sink into and watch unfold thanks to the strong central performances.
The Double Hour
A Tense psychological thriller,The Double Hour - or La Doppia Ora-is the tale of Sonia, an apparently shy chambermaid who meets the rugged former cop turned security guard Guido one night at a speed dating event.Pretty soon, they're in a relationship and all's happy until one day while at Guido's work, their happiness is rudely interrupted.Following a break in, Sonia soon finds her life changed in many ways.Twisty, turny, haunting and stunning in places,The Double Hour surprises you at every turn-it's a slick sophisticated thriller which is to be blunt a bit of a head trip and may cause you to shout"What The?"at the screen. It's very clever and requires you to keep up as the labyrinthe plot expands -it's complex and wonderful in places thanks to the central performance of Ksenia Rappoport.You won't know exactly what's going on - and when the revelations come there's a collective penny dropping within the audience. Clever film making for dark nights.
The Ghost Writer
A crackling sizzling political thriller from Roman Polanski, this is the story of Ewan McGregor's Ghost Writer who's brought in to clean up former UK PM Adam Lang (Pierce Brosnan)'s memoirs after the apparent suicide of the last writer.But as the Ghost starts work on them,Lang's facing a war crimes trial for flying terror suspects to the CIA.Soon the Ghost finds himself in the eye of the storm and in the mother of all paranoia.Great film from Polanski even if occasionally it does stretch credibility at times(the writer suddenly becomes cracking investigator)but this film veers towards smart rather than too cliched-there's some fun dialogue as McGregor's character rocks some amusing lines(All the words are there just in the wrong order he remarks about the book)Brosnan's suave as the PM who recalls Tony Blair and the parallels are frightening-it's a thriller which really keeps your attention for its 2 hours and proves Polanski still has it. Go see now.
From the same people who made The Triplets of Belleville, this beautifully animated tale is the story of a fading magician who leaves the French music halls to head to England for some more work.He ends up in Scotland where he charms the daughter of an innkeeper and she promptly follows him to Edinburgh.It's not sordid though-it's a charming story about friendship and growing up; but there's also a sadness about it which left a lump in my throat and a tear in my eye at the end as both grow up in ways they couldn't imagine.The hand drawn animation is gorgeous; the majority of the film is dialogue free but packed with humour in ways you'd never expect - and the whole thing ends up feeling like a magical window into a more innocent world of the past. There's also the idea that the magician is losing his place in a world which is embracing rock'n'roll rather than music hall variety-it's sad strong stuff but wondrous to look at; a great emotive start to the festival
Candyman - The David Klein Story
The Jelly Belly bean - a sweet treat which keeps you smiling; Candyman, a doco which is also a sweet treat which is fascinating and compelling viewing. Director Costa Botes takes a look at the true story of David Klein, the confectioner who revolutionized the industry with his jelly belly beans but signed it all away.Consequently he no longer has a place in the official history of the bean(whose fans include Weird Al Yankovic).Klein though is not bitter about this-and you wonder what keeps him going; but Klein is the kind of guy who likes to give;on his birthday he hires an ice cream truck and gives it all away to the kids. He is a great mentor, has great intentions and wouldn't harm anyone-except it seems himself. The doco itself is a riveting and insightful watch; full of light touches from Botes which keep the narrative hurtling along as the team follows Klein- he is really proof that sometimes sadly the nice guy does finish last in a cruel world.However, he's inspirational. Go see!
Strange Birds of Paradise
This doco details one Aussie man's love of West Papua and his quest to ensure details of the Indonesian conflict are heard worldwide. Charlie Hill-Smith first went to W Papua in 1999 and fell in love with the island, its culture and its people - as well as the music of the region. He finds a group of W Papuans who become refugees in Aussie and having heard their tales of what happened, heads back there to ensure others get the chance to speak. Flashbacks are cleverly brought to life as they're told in cartoon form as former refugees talk of the harsh treatment of the Indonesian people as they try to oppress the region. However, that doesn't make them less effetive. Initially naive and innocent Hill-Smith's doco becomes more urgent as he begins to realise the scale of what's happening - a shocking eye opener to what's going on with some of our neighbours. More at strangebirds.com.au
A Belgium comedy drama about growing up in a dysfunctional family, The Misfortunates is the tale of the Strobbe clan, whose uncouth ways permeate every member of the family (token comment when offered beer - don't bother yourself, we'll drink from the bottle) and whose youngest Gunther is looking at a way out of the group. The blonde mulleted kid figures a writing career is his exit strategy but hasn't reckoned on how difficult it could be. Not as funny as you'd expect from having the kids live under one roof with mum, The Misfortunates is a disappointing entry this year to say the least. Still, if you want to spend time with a family who you think are worse than yourselves, then this could be your cup of tea. It's a strange hybrid cross of UK TV show Shameless and a farce comedy in places - with Roy Orbison thrown in for good measure.
Love Lust and Lies
This doco from Gillian Armstrong (who will be at the festival this year) is the latest in a series of films following 3 female friends through life's trials and tribulations. The film begins with a flashback of the trio when they said none of them would get pregnant - and then follows the subsequent births of their daughters. The latest film (having followed them when they were 18, 26 and 32) takes them in in their 47th year as they reflect back about what's gone on. Only one of them seems to have led a relatively normal life - ie happy with her spouse and family; the other two talk of love, marriage, divorce, work and the failure of some of their dreams. It's a frankly open touch which sees this doco become so enthralling - many of us will see a little something of ourselves in this trio and Armstrong's smart enough to not moralise or judge merely to let the story breathe and events take their course. Look forward to seeing further installments (if they're planned)
I Killed My Mother
Lauded on the international circuit, this film from film "prodigy" Xavier Dolan is about a teenage boy Hubert and the fiery, argumentative relationship with his mother. In every frame, the antagonism and the irritation is present; from small talk at the table to the boy scrutinising his mum's every move. Hubert's taken over the wing of a local teacher and decides to get his own independence by renting a flat. Hubert's opposed to anything his mum says or does (as every teen is wont to do these days) and sees her every move as an assault on who he's turning out to be, even stating at one point that he thinks he wasn't made to have a mum. There are some poignant moments between the pair and while some have lauded this film as the second coming, it's very hard to love passionately- although it is worth seeing a talent explode onto the screen in the form of Dolan, who will be one to watch as the years continue.
Who would have thought that putting a man in front of a camera inside a warehouse would have been so electric? Collapse sees doom theorist Michael Ruppert given free reign to expound his views on why the economy went down the gurgler. Filmmakers grabbed him for research for a play and the minute the camera started filming, it was clear those behind the lens had found something special. Rather than being a crackpot, Conspiracy theorist Ruppert is a highly literate, deeply intelligent Richard Dreyfuss lookalike who spends the time discussing what lies ahead for us all. Ruppert predicted the 2006 global financial meltdown Perhaps the only frustration is that the chain smoking Ruppert is given so much space to speak (aside from occasional interruptions from the interviewers) but the doco remains a compelling one man argument and a riveting watch. You can't help but think there's some truth in Ruppert's thoughts -he's a voice to keep listening to as time continues to see financial world.
A good doco should inform, educate and offer you a window into something you know little or nothing about. This year, Trimpin' is that doco. He's a Seattle based sonic artist who's previously shunned recordings of his sound or how he works which ultimately mean one day, he will pass into folklore as only oral tradition will be the way to remember him. This doco follows Trimpin' as he tries various methods of creating sound with all kinds of things- shoes on sticks to name but one - and as he works on a collaboration with the Kronos Quartet, using toy instruments such as those plinky plonk sounding pianos. As we follow this path, we also find out about his childhood in the Black Forests of Germany. It's a fascinating insight into how creativity works and how the eccentric sounding artists really get their inspiration. It's also a vital piece capturing the creativity and sound of an unique character and the real vision they bring to the musical world.
Rainbow Warriors of Waiheke Island
Or as it's better known, Waiheke The Greenpeace retirement island. A relatively low key doco follows six members of the original Rainbow Warrior and charts their lives on the ship before they settled on Waiheke. Suzanne Raes' film follows their daily lives-including one's DJing on the local radio station as well as exploring what brought them together and how Greenpeace here was shaped by the infamous Rainbow Warrior. Using photos and archive footage, it's a really interesting look at the ties that bind which proves to be touching and emotive-so much so,that I completely forgot the ultimate fate of the boat involved.It's the final 20 minutes which plot life after the sinking which add a mournful tone to the doco but the six also reflect on how the campaigns have become less innocent now and more focussed-it's an interesting dichotomy of views which shape this document of how activism continues to play a part in many of our lives. A great piece showingy NZ continues to champion activism
Joan Rivers - A Piece of Work
Stunning doco about the 75 year old stalwart of showbiz and what she's doing to make sure she stays working and in the limelight. This film follows a year in Joan's life as she tries to launch a stage play and seize every opportunity which comes her way. A warts and all portrayal of the reality of being in the public eye for so long has never been so compelling and so heartbreaking. We see Joan spend all her effort trying to get her play off the ground and watch her slump from the mediocrity of the reviews; even though she gets three stars it stops her launching it in America. You can't help but want her to succeed as she takes everything going- and as she whores herself out by offering more of a performance for more cash onboard a boat. But what you do get out of this is a cautionary tale of how ruthless the industry can be- however, given the amount of effort Joan puts in (filing cabinets full of jokes, trying out material over Obama), you just can't look away. Highly recommended
There Once Was An Island
A NZ doco about a small Papuan island, 1/2km long and with 400 inhabitants -and their fight against global warming which is literally washing away their home. Captivating and heart breaking from the start, this doco doesn't milk their situation for effect -after all, these guys and gals have done nothing to create a carbon footprint or exacerbate the crisis. But in a truly engaging and non-sensational way, this doco from NZer Briar March shows the horrifying reality of the world we live in today - Islanders build walls to keep the sea out of their homes but when a scientist visits, he tells them what they've done hasn't helped -the shock on their faces says it all. What's even worse is this doco shows that after 3 years of dealing with these problems, there's still no sign of a solution and soon a way of life, an island and a culture will be gone forever. That said, this remains uplifting because of the islanders' inspirational attitude - a compelling must see.
Exit Through The Gift Shop
I don't think you'll find a more morally complex and riotously funny doco this year. Exit Through The Gift Shop is a Banksy film (Banksy is a street artist who gained notoriety in the UK) which centres on French filmmaker Thierry Guetta, who somehow manages to capture the explosive birth of street art. Guetta is described by Banksy as looking like something from the 1800s with his sideburns and general demeanour. Guetta finds himself intoxicated with the art world around him and sets out to interview all of those involved under the idea of making a doco -but Guetta's quest becomes about getting the elusive Banksy and then he somehow finds himself as an artist. Laugh out loud funny in places, ETTGS will suck you in with its smart style but you may wonder if this is a prank initiated by Banksy who's famed for duping the world. Is this the dawn of the prankumentary? Either way it's tremendous fun - after alll, isn't art about provoking discussion?