Thursday, 30 March 2017

Destiny 2 trailer drops Friday

Destiny 2 trailer drops Friday


The Destiny 2 teaser trailer ‘Last Call’ features the iconic, Cayde-6, announced the official reveal trailer will debut worldwide on Friday, 31st March at 6:00am NZDT.

Be sure to tune in tomorrow!

Underworld: Blood Wars: Blu Ray Review

Underworld: Blood Wars: Blu Ray Review


The fifth Underworld film appears on the cinematic horizon four years after Underworld: Awakening rebooted a portion of the franchise.

This time around, Kate Beckinsale returns as Vamp death dealer Selene, all clad in black leather and ready to kick some ass as the ongoing war between the vampires and the lycans continues.


Having lost all trace of her daughter at the end of Awakening, Selene finds herself hunted by the terrifying new leader of the Lycans, Marius (Tobias Menzies) who wants her daughter's blood, believing it will give the lupine clan the ultimate power to end once and for all the conflict.
Forced to turn to the coven who betrayed her, Selene is once again slap bang in the middle of attacks from all side, political intrigue and betrayal as the fight for eternal life goes on.

War is hell.

And eternal war must therefore, by extension, be eternal hell.
But that would be preferable to the latest Underworld film, an action thriller that barely musters enough action or thrills under its fetish garb to keep you entertained during its 90 minute run time.

The latest film lacks bite and feels anaemic in comparison to other entrants into the franchise, and despite once again rebooting the film (along with a brisk pre-credits introduction which gets everyone up to speed), the fire in its cinematic belly is waning this time.

It's largely due to a lack of clarity, an extremely basic script and vision that's wanting.

Foerster, who's helmed episodes of Outlander and who is the first female director to take on the series, manages to deliver the sparse action with a degree of simplicity of style, but there's not enough action sequences to flesh out the relatively thin bones unfortunately. It largely doesn't help that the supporting characters are relatively non-existent and it's left to James and his ample shirtless six-pack and pouting, as well as Beckinsale's frosty Selene to carry things along, leaving the investment into proceedings severely wanting.


True Blood and Sherlock's Lara Pulver vamps it up in a treacherous duplicitous role, but the wooden dialogue and occasionally ropey C Grade CGI morphing does more to cripple proceedings than you'd expect. In prior films, that's been masked by the action sequences, and their plethora, but Underworld : Blood Wars has scant numbers of them throughout its short run time.

To be fair, there are some nice sequences where the vamps are dispatched by UV bullets, rendering their bodies asunder into ashes, but there's not enough visual flair on show.

Ultimately, Underworld Blood Wars may satiate the lust of the fanbase, but there's a nagging feeling that Beckinsale is cruising through this latest installment and its ham-fisted political shenanigans, thanks to a lacklustre script and threadbare action 

Pennywise is here - new IT trailer drops

Pennywise is here - new IT trailer drops


Here's your first look at the brand new IT trailer, based on the Stephen King book.

Starring Bill Skarsgard and Finn Wolfhard, the film's due later this year

Ghost In The Shell: Film Review

Ghost In The Shell: Film Review


Cast: Scarlett Johansson, Pilou Asbaek, Takesh Kitano, Juliette Binoche
Director: Rupert Sanders

There's an irony that 2017 yields a shiny, yet empty and hollow, new version of Ghost In the Shell, all wrapped up in FX and Weta's wizardry, and coming nearly 30 years after the first iteration of the Manga series appeared.
Ghost In the Shell, starring Scarlett Johansson

Along with the campaign against the film over its apparent white-washing of its lead, the Asian Major, and a meme meltdown that seized on the film's apparent ignoring of any potential Asian leads, there's already enough for Ghost In The Shell to achieve.

So, it's perhaps frustrating to report that the 2017 version of Ghost In The Shell is pretty hollow, and feels like a missed opportunity, a series of shooter / fighting sequences all wrapped up in some damn near incredible visual and practical work from WETA.

Johansson stars as Major, who's part of an elite group called Section 9, who hunts down terrorists at the government's behest in a futuristic world. But Major is more than just the star operative of this ragtag group, headed up by Beat Takeshi Kitano's Chief. In a world where cybernetic enhancements are becoming the norm, Major's a perfect meshing of a human brain in a robotic body - a precedent for the future.

However, while Major's fairly adept at taking out the bad guys, she begins to experience glitches in her daily life, giving her frightening flashes of a life before... and causing her to question her own identity and loyalties, just as a new terrorist threat emerges...

To be fair to Ghost In The Shell, the themes tackled within are not exactly new and the trope of questioning self and identity are ones which are endemic to most of the genre's films that feature a robot protagonist. (Ridley Scott's Blade Runner being perhaps the chief example of such a film and TV's Westworld being the latest version of the nature of consciousness discussions).
Ghost In the Shell, starring Scarlett Johansson

Yet, despite its shiny paint and exquisite visuals for 2017, the new version is very much lacking in anything other than a simple cyberpunk ethos and a videogame aesthetic and narrative. This is not an adaptation of an anime that comes anywhere near close to hitting some of the rich resonance and emotional themes of the originals.

Relatively soulless, and without too many real philosophical edges for the audience to grapple with, this Ghost In The Shell simply chooses to throw out the more thoughtful elements of the series before it, in favour of yet another (admittedly well) choreographed action sequence. It's no Joss Whedon's Dollhouse, that's for sure.

Despite some truly impressive neon-soaked Blade Runner and video game Remember Me-esque cityscape visuals to make up the world, what sits within is, unfortunately, a little less well realised.

While the Geisha-bots that become like scuttling spider-bots are early indications of the visual mastery of Weta's work, their memory soon fades in light of some well-worn familiar style sci-fi dialogue and bullets flying as the emotionally detached film plays out.

Johansson pretty much dials down the emotion and comes off a little like a second-rate action version of her character from Luc Beeson's much-overlooked flick Lucy. She brings some edges to some of the emotional conflict that arises from within, but she never quite fully sells the struggle with her past.  And Snow White and The Huntsman director Sanders reaches Michael Bay levels of fetishization of Johansson's form within the suit and when she's lying on a bed as he brings the story-boards to life...

(And it has to be said, unfortunately, that some of the white-washer naysayers have a point, particularly when Major's past is addressed towards the film's denouement. There's also a whole debate over the rest of the casting of the film as well, with many of the Asians represented on screen playing more sub-serviant roles than anything substantially meaty.)
Ghost In the Shell, starring Scarlett Johansson

Pilou Asbaek's second-in-command is a thankless role that ploughs the action into the brawn and little else; Kitano's support is equally solid as well, but he's relegated to the sage overlord dispatching ideas and checking up on his team, rather than anything more. Elsewhere, Juliette Binoche brings the humanity in her doctor, but again, it's scant anything other than brief broad brush strokes to satisfy the most brain-dead of audience members.

It helps little that Ghost In The Shell's emotional edges are lacking and the pay-offs not as spectacular as the stakes in the final act. It's something that's little supported in the film's scripting and filters through the entire film; and while the action sequences are dispatched tautly and effectively, they're all emotionless, formulaic sequences that barely stay in the memory long after the conclusion of the film.

Ultimately, Ghost In The Shell's extraordinary visuals shine way above anything else on the screen.
It's a clear case of style over substance, which is no bad thing given the level of detail spent on them.
Referencing The Matrix, Blade Runner and many Arthur C Clarke tropes, the film's eye-wateringly gorgeous FX and confidently realised world crackle where the rest of the film unfortunately does not.

In the final wash, Ghost In The Shell's weaker narrative, combined with its sidelining of the more interesting philosophical debates and the story of identity of its main protagonist, sadly stop it from becoming a true sci-fi classic, leaving it floundering as a hollow and shallow video-game lite experience that's more about what's on screen than what lies beneath.

Wednesday, 29 March 2017

Prey | New Video Released – ‘Weapon and Power Combos’


Prey | New Video Released – ‘Weapon and Power Combos’



We’ve just released a new gameplay video for Prey - ‘Weapons and Power Combos’ - which shows some of the unique ways you can combine your weapons, tools and abilities to take down the Typhon aliens:

You might be mankind’s last hope aboard Talos I, but you’ve got a mighty arsenal to face down the Typhon threat. Armed with your wits, weapons and a host of incredible powers, it’s up to you to stop the alien invasion and save all of humanity. Piece of cake!

With 24 human upgrades and 20 unique alien powers to choose from (plus all of their upgrades), no two Morgans will be the same, and no two players will have the same experiences in Prey.  

Along with the human abilities like Hacking, Leverage, Repair, and Gunsmith – all of which enhance Morgan’s innate strengths – you will have access to three distinct trees of Typhon-based abilities. Of course, there’s some risk when rewarding yourself with these amazing alien abilities. As you install alien powers, the turrets on the station will view you as a hostile entity, and you will increasingly run the risk of being targeted and hunted by the massive Nightmare Typhon. But with (sometimes literally) mind-bending abilities like these, we’ve got to say the risk is definitely worth it. 

Check out the full list of alien powers at Bethesda.net and start thinking about who your Morgan will be, and how you plan to fight the invasion and save the world.

Be sure to look out tomorrow for a new video diving into Morgan’s armory as the development team discuss ‘Playing with Powers’, while Thursday will reveal fresh insight into Prey’s mind-altering Neruomod Division.

Set to launch worldwide on Friday, May 5, 2017 on Xbox One, PlayStation 4 and PC, Prey is the highly-anticipated first-person sci-fi action game from Arkane Studios - creators of the award-winning Dishonored series which includes the 2012 'Game of the Year' and the critically-acclaimed follow-up, Dishonored 2. For more information about the game please visit prey.bethesda.net.

Tom Clancy Ghost Recon Wildlands: PS4 Review

Tom Clancy Ghost Recon Wildlands: PS4 Review


Platform: PS4
Released by Ubisoft

Tom Clancy's Ghost Recon Wildlands had a massively successful BETA.

The thriller game had a simple concept - possibly in line with Donald Trump's War on Mexico - crack the cartels and their grip on an area in Bolivia.

It's a simple MO and it's been translated through to the full games as well - and despite some complaints that the game's a Western Imperial take on non-American issues, the game's playability makes it easy to jump in and get involved in the massively open world.

Multiplayer or solo are on offer, and to be frank, the solo campaign already opens up a world that takes so much of your time, that jumping in with mates is the last thing on your mind.

After customising your character, it's into the world you go, and into a squad of 3 others. A first mission sees you tasked with getting intel from a captive that begins to open up the wealth of objectives on offer and the reasons for doing them.

From using drones at your disposal to tag enemies or simply going in all guns blazing, Tom Clancy Ghost Recon Wildlands is a game that will thrive on your choices and will be played many different ways. The guns blazing approach certainly quickly brings brutal combat to life and the fight can get quite difficult quite quickly. But being tactical can also pay off as well - there's nothing better than tagging an opponent and the joy of the stealth kill rather than the shoot and hope approach.

In many ways, Tom Clancy Ghost Recon Wildlands feels like it's been more heavily influenced by the last iteration of the Just Cause game series. Sure, there's not the comic edges and over the top physics mentality within, but there are touches of it that remind you of Rico's exploits.
From gently hitting a car on the road and seeing it flip wildly in the air, to careering backwards down a mountain, the game hits a fun level early on. And while there are also elements of Far Cry and Just Cause's narratives within (free the checkpoints, take on a dictator etc), the game's made them all their own.

It's also a world of exploration too with there being plenty to see and do around the wildlands.

Complete with a star ratings system for the areas (1 being easy, 5 being punishable by death), the areas are easier to engage with once you know what you're doing. There are a few issues with the scope of the game, in that a lack of vehicles will see you troubled by spending a lot of time traversing the admittedly beautiful and lush-looking terrain.

But that's no bad thing given the scale of Ubisoft's open world though the game is infinitely improved by a few online colleagues to come along for the ride.

From avoiding killing civilians (which abruptly ends your game) to getting revived once only by your colleagues once you fall, there's more than enough in the game mechanics to stop you from actually achieving the missions on offer.

But those missions themselves are worth getting involved with. Each one unlocks another and sees you zipping around the countryside to complete them. As you hurtle on the red barren tracks that double for roads, there's a wealth of life out there.
If anything, Ubisoft's ensured that the NPCs are certainly in attendance (watch them cower when you order an attack by your squad from your car) and are reacting to what's around.

All in all, Tom Clancy Ghost Recon Wildlands shows it has the spirit to keep the rather passe and gung-ho premise alive. While the missions may be of a similar nature to what's encountered before, it's clear that the sheer scale of the open world and its secrets within mean many will fire it up; if anything, its occasional hollowness and episodic feel means it's perfectly playable and equally disposable.

Win a copy of Underworld Blood Wars on DVD

Win a copy of Underworld Blood Wars on DVD


The next installment in the blockbuster franchise UNDERWORLD: BLOOD WARS follows Vampire death dealer Selene (KateBeckinsale) as she fends off brutal attacks from both the Lycan clan and the Vampire faction that betrayed her. 

With her only allies, David (Theo James) and his father Thomas (Charles Dance), she must stop the eternal war between Lycans and Vampires, even if it means she has to make the ultimate sacrifice.

To celebrate the release of Underworld Blood Wars, out now, you can win 1 of 2 copies on DVD!

To win Underworld Blood Wars, all you have to do is enter simply email your details to this  address: darrensworldofentertainment@gmail.com or CLICK HERE NOW!

Include your name and address and title your email BECKINSALE!


An Inconvenient Sequel: Truth To Power - Official Trailer

An Inconvenient Sequel: Truth To Power - Official Trailer



Today marks the release of the first trailer for An Inconvenient Sequel: Truth to Power – the sequel to Al Gore’s 2006 documentary An Inconvenient Truth – ahead of its release on the 24th August.  

A decade after AN INCONVENIENT TRUTH brought climate change into the heart of popular culture, comes the riveting and rousing follow-up that shows just how close we are to a real energy revolution. Vice President Al Gore continues his tireless fight traveling around the world training an army of climate champions and influencing international climate policy. Cameras follow him behind the scenes – in moments both private and public, funny and poignant -- as he pursues the inspirational idea that while the stakes have never been higher, the perils of climate change can be overcome with human ingenuity and passion.

New Spider-Man Homecoming trailer flies in

New Spider-Man Homecoming trailer flies in


Here's your first look at the brand newSpider-Man Homecoming trailer

Spider-Man Homecoming hits cinemas July 6th





Tuesday, 28 March 2017

Prey | New Video Released – ‘Only Yu Can Save the World’

Prey | New Video Released – ‘Only Yu Can Save the World’




In Prey, you’re mankind’s last – and only – hope. But who exactly are you? What powers, abilities and weapons can you wield? What other choices will you make? And who else is aboard Talos I? Find out the answers to these questions and more in our newly released video titled, ‘Only Yu Can Save the World’:


Using badass weapons and powers, step into the TranStar uniform of Morgan Yu and fight through an alien-infested space station to save humanity. But while you’re safeguarding the world from the Typhon threat aboard Talos I, you’re also in search of your own identity. While Morgan begins as an enigma, you’ll define who he is through your choices and actions. Do you rescue the survivors aboard Talos I? Will you choose to install more alien-based powers – and thus alter your own humanity? And, at the most basic level, how will you survive with the deadly Typhon aliens actively hunting you? Every decision you make has the potential to reverberate throughout the entire game. Be sure to check out Bethesda.net for more details.

Set to launch worldwide on Friday, May 5, 2017 on Xbox One, PlayStation 4 and PC, Prey is the highly-anticipated first-person sci-fi action game from Arkane Studios - creators of the award-winning Dishonored series which includes the 2012 'Game of the Year' and the critically-acclaimed follow-up, Dishonored 2

Titanfall 2: Colony Reborn Coming to Titanfall 2 on March 30

Titanfall 2: Colony Reborn Coming to Titanfall 2 on March 30



Today, Respawn revealed Colony Reborn, the next free DLC update available to all Titanfall 2 players. Starting March 30th, players can re-visit Colony – a fan favorite map from the first Titanfall that is filled with narrow streets, interiors, and rooftops. In addition to Colony, players can try out an all-new Pilot execution, Curb Check pilot, as well as the new R-101 carbine, all for free!

In addition to the new free content, Titanfall 2 players can also purchase new cosmetic items including Prime skins for Northstar and Legion, new Camos, Callsigns, and more. 
To celebrate the launch of Colony Reborn, Respawn will be kicking off another free trial weekend. Starting March 30, those yet to experience the power of Titanfall 2 can enjoy elements of the game’s critically-acclaimed single player. 

This includes The Beacon, one of the missions from the main campaign, as well as the Training Gauntlet. In addition to introducing single-player content to the trial, players will also have access to all multiplayer maps and modes. The Titanfall 2 free trial weekend will end on Monday, April 3, at which point the multiplayer portion of the trial will no longer be available. However, the single player content from the trial will still be available post-April 3.  

Dark Souls III DLC is here

DARK SOULS™ III: THE RINGED CITY FOR PLAYSTATION®4 SYSTEM, XBOX ONE, AND STEAM LAUNCHING ON MARCH 28 At the close of the Age of Fire, as the world ends and all lands converge upon themselves, a lone adventurer descends into the madness of the earth and uncovers the secrets of the past. As players make their way to the fabled Ringed City they will encounter ancient beasts, a new cast of characters teetering on the edge of insanity, new armor, weapons, magic, and at the bottom of it all, a long lost city filled with new horrors for players to overcome.

DARK SOULS III: The Ringed City will be available for 14€99 digitally on the PlayStation®4 computer entertainment system, Xbox One, and PC via STEAM on March 28, 2017. DARK SOULS™ III: Ashes of Ariandel™ is currently available digitally on the same systems. A season pass for DARK SOULS III, which includes access to Ashes of Ariandel and The Ringed City, is available for purchase digitally.

 In addition, BANDAI NAMCO Entertainment Europe also announced that DARK SOULS™ III THE FIRE FADES™ EDITION (Game of the Year Edition) will be available on April 21st for PlayStation®4 computer entertainment system, Xbox One, and PC via STEAM. This very special edition will include DARK SOULS™ III as well as Ashes of Ariandel and The Ringed City. To learn more about BANDAI NAMCO Entertainment Europe’s other products go to: https://www.bandainamcoent.eu or follow us on Facebook at https://www.facebook.com/BandaiNamcoEU or join the conversation at https://www.twitter.com/BandaiNamcoEU.

CI Games Uncovers Sniper Ghost Warrior 3 Side Ops Mission with Challenge Mode

CI Games Uncovers Sniper Ghost Warrior 3 Side Ops Mission with Challenge Mode


CI Games Uncovers Sniper Ghost Warrior 3 Side Ops Mission
with Challenge Mode

Sydney, 24th March 2017 - The developers at CI Games, creators of the Sniper Ghost Warrior and Lords of the Fallen series of games, aren't afraid of giving experienced sniper players a high difficulty for a more challenging overall experience. Today, they would like to introduce fans and newcomers to the series to a new mode in Sniper Ghost Warrior 3 - Challenge Mode.

In the open-world setting new to Sniper Ghost Warrior 3, Side Ops are large side missions where players can move freely throughout the area, albeit avoiding enemies along the way. Watch the video to see a Side Ops mission in action with Challenge Mode added to it.



Long-time fans of the Sniper Ghost Warrior games have asked for a mode that will challenge even the best players, and Challenge Mode offers plenty of challenge. With a missing heads-up display (HUD), increased enemy perception, and enemy markers that disappear after using the surveillance drone, successfully completing missions in Sniper Ghost Warrior 3 will require a well-equipped arsenal of weaponry and plenty of gadgets and attachments to make it through undetected.

"Challenge Mode is one of my favorite features in Sniper Ghost Warrior 3, because of how much importance it places on the skills of the player rather than relying on the game for help," said Tomasz Pruski, senior level designer at CI Games. "A good example is when using the drone. It will tag the enemies, but once called back, players will need to rely on their memory to remember where the enemies are located inside the outpost. Precisely aimed headshots are also required, since enemies are more heavily armored on their body."


Sniper Ghost Warrior 3 tells the story of brotherhood, faith and betrayal in the most complete sniper experience ever. Take the role of an American sniper named Jonathan North, who is dropped into enemy territory in northern Georgia, nearby Russian borders. Explore large open-world maps with dynamic weather and a day and night cycle that actually impacts play and decisions. Customize weapon equipment, accessories, vehicles and a drone, and utilize the three pillars of gameplay to your liking: Sniper, Ghost and Warrior.

Sniper Ghost Warrior 3 launches on the PlayStation®4 system, Xbox One and Windows PC on April 26, 2017.

To learn more about CI Games and Sniper Ghost Warrior 3, visit:

A Street Cat Named Bob: Film Review

A Street Cat Named Bob: Film Review


Cast: Luke Treadaway, Ruta Gedmintas, Joanne Froggatt
Director: Roger Spottiswoode

It's perhaps no surprise that A Street Cat Named Bob goes for audience pleasing broad brush strokes in its tale (or should that be tail) of a struggling wannabe reformed drug addict who befriends a lonely ginger pussy.
A Street Cat Named Bob

"You're a human interest story" intones a reporter in the latter stages of this less-than-purrfect yarn.

And it's a spot-on analysis of why some audience members will find this relative kryptonite.

While the redemption story of homeless James Bowen (played with twitchy about to fail edginess by Luke Treadaway) is at times as entirely predictable as you'd expect, it suffers from an episodic choppy feel as the earnest story plays out.

Given a second /last chance by Downton Abbey's Joanne Froggatt social worker, James is never far from slipping back into old ways due to catastrophic coincidences and bad luck (something Spottsiwoode's film actually gets painfully right.)
A Street Cat Named Bob
But when the ginger Tom shows up in assisted home without warning, a bond is formed between the two.
And the bond is further cemented when James starts busking with Bob on his shoulders, bringing him an income he'd never expected and a fame he never sought.

However, as James tries to sort his life out, demons start to emerge and threaten his road to reconciliation and redemption...

A Street Cat Named Bob is exactly what you'd expect from a family film adaptation of Bowen's successful novel of life on the streets.

However, it's because of that, that this film never quite hits a tonal consistency throughout.

Despite the film starting off fairly gritty in its portrayal of the faceless homeless masses being treated badly on London's streets, the film quickly goes for saccharine to counter some of the darkness that threatens to enter the screen.
And even later on, the film's keen to embrace a degree of Trainspotting bleakness as James goes through withdrawal alone in his flat.

But, it's almost as if the film's too scared to take the movie to a darker place - granted, its simplicity and the occasionally overt naivete of the narrative mean it has to stay under a certain level to ensure a wider audience, but Spottiswoode is ham-strung by a story that feels like Homeless 101 sanitised for the middle-class liberal masses who don't want to feel guilty in the dark of the matinee.

Far more successful is when the film concentrates on its bond between feline and master, sending James into the category of quirky that gets so embraced by the English masses. While a lot of the bonding is simply kept to endless cutaways of the reaction of Bob to something that's said, any cat owner who's felt their charge is talking to them will recognise and empathise with every moment.
A Street Cat Named BobAnd while Spottiswoode initially employs a cats-eye-point-of-view for Bob's take on the world, this directorial trick soon begins to grate.

A Street Cat Named Bob may be earnest in its intentions and true to its author's tome, but it's hampered by some weaker acting from those involved.

Chiefly, Ruta Gedmintas's Betty, a hippy-dippy neighbour who wafts through life with a flighty approach, even with her well-meaning interactions with both James and Bob.

It's very easy to be cynical about a feel-good film such as this - as mentioned, it wears its heart on its sleeve, and clearly those involved want to ensure there's a sanitised approach and presentation to the homeless and darker elements of the story.

But it's not ultimately beneficial and while what transpires on screen is less than cat-astrophic and more feel-good, it certainly doesn't give paws for thought, thanks to the darker edges that could provided a stronger narrative being held at bay and ultimately leaving you with a more muted catharsis than should be expected.

Monday, 27 March 2017

Critically Acclaimed 'The Walking Dead: The Telltale Series - A New Frontier' Continues in Episode 3 on March 28th

Critically Acclaimed 'The Walking Dead: The Telltale Series - A New Frontier' Continues in Episode 3 on March 28th


Critically-Acclaimed 
'The Walking Dead: The Telltale Series - A New Frontier' 
Continues with Episode Three: 'Above The Law' on March 28th
Series Continues with Episode 3: 'Above the Law' Arriving Tuesday March 28th


Fellow Survivors,

Today we can share the release date for the critically-acclaimed The Walking Dead: The Telltale Series - A New Frontier's upcoming Episode 3: 'Above the Law'.
 
Beginning Tuesday March 28th, players can download Episode 3: 'Above the Law' on PlayStation 4, Xbox One, PC/Steam, iOS, and Android-based devices. The episode will also download for all users of the special Season Pass disc for consoles, which includes the critically acclaimed two-part premiere episodes, and grants access to Episode 3 and all subsequent episodes in the five episode season for download as they become available. 

After the shocking events of 'Ties That Bind: Part Two', Javier struggles to find a role in his newly reunited family. Meanwhile, tension within the walls of Richmond grow. Will Clementine and the rest of the group turn against Javier? It may be time to choose between the family you're born into and the family you've made...


The two-part premiere of The Walking Dead: The Telltale Series - A New Frontier launched to widespread critical acclaim. In their review of the premiere, IGN.com said that, "Smart characterization and writing for Javi and his family, plus the return of Clementine, add weight to a largely unfamiliar but already engaging new frontier that I can't wait to continue to explore," adding that its "uncharted territory feels familiar and, excitingly, fresh." GamesRadar said that A New Frontier"demonstrates the resonant power of interactive storytelling," and that it, "finds the right balance between rewarding longtime players who've shaped their own version of the story and welcoming those who might be hopping aboard this grim adventure for the first time." Game Informer said the two-part premiere has, "shocking deaths, intense betrayals, and split-second decisions to second-guess," claiming that "Everything leads up to a hell of a cliffhanger, making me intrigued to see what happens next." 


The Walking Dead: A New Frontier acts as both a new beginning for players fresh to the series and unfamiliar with Clementine, as well as a continuation for players who have experienced Seasons One and Two. Players new to the series are able to start a story that is tailored to this new beginning. Players continuing onward from prior seasons have multiple options for quickly configuring their tailored backstory, or importing past save files from various platforms.
 
The Walking Dead: The Telltale Series - A New Frontier Episode Three: 'Above The Law" is rated 'M' (Mature) for Blood and Gore, Intense Violence, Strong Language, and Use of Drugs by the ESRB. Future content in the season is yet to be rated.
 
To date, The Walking Dead: A Telltale Games Series has sold more than 50 million episodes worldwide, earning more than 100 Game of the Year awards from outlets including Metacritic, USA Today, Wired, Spike TV VGAs, Yahoo!, The Telegraph, Mashable, Polygon, Destructoid and GamesRadar, and was also the recipient of two BAFTA Video Games Awards for Best Story and Best Mobile Game. 
 
The Walking Dead is set in the world of Robert Kirkman's award-winning comic book series and offers an emotionally-charged, tailored game experience where a player's actions and choices affect how their story plays out across the entire series.
 
For more information on the game, visit the official websiteFacebook, and follow Telltale Games on Twitter. For more information on The Walking Dead, Robert Kirkman, and all of his titles, visit www.Skybound.com and www.TheWalkingDead.com

A Cure For Wellness: Film Review

A Cure For Wellness: Film Review


Cast: Dane deHaan, Jason Isaacs, Mia Goth
Director: Gore Verbinski

Tipping its hat to horror and Gothic pretensions, Gore Verbinski's suspense-filled A Cure For Wellness soaks in mystery for 2 of its 2 and a half hours run time.
A Cure For Wellness

A pallid and drawn Dane De Haan stars as Lockhart, an ambitious investment banker, who's extorted to bring back the head of a financial company from a mysterious spa in the Swiss Alps.
With the clock ticking to return the man in question ahead of a company merger, Lockhart finds his efforts frustrated by the staff and owner of the spa who believe it's better for all if they stay and get some treatment.

But as Lockhart starts to look around, he digs deeper into the disturbing secrets of the spa - however, will he be too late?

There's a mania infecting every frame of A Cure For Wellness.

A Cure For WellnessWith Bojan Bazelli's precise and exquisite cinematography, A Cure For Wellness is infected with a starchly stiff look that manifests in every scene.

Moments are perfectly framed and add much to the overall sheen of A Cure For Wellness' frankly lunatic edges, giving the film a detached feeling that hangs heavy in the air as it plays out.

While DeHaan's growing incredulousness seems to be at odds with what you'd expect from the character, this Gothic-tinged film, with its transfixing blend of weirdness and and surreal nightmare edges is a Lovecraftian parable and dreamscape made real.

Complete with some great use of sound, the suspenseful atmosphere is ramped up to 11 and the creaks and clanks of the walls and Lockhart's crutches add a sense of a very real rhythm that comes, lulling you into an odd dreamlike mentality that helps you view the film.

As the body horror ramps up to its natural and expected crescendo, the actual denouement of the film is as utterly daffy as you'd expect. In fact, the sheer insanity of the end actually threatens to derail the film at this point, potentially derailing the meticulous work done by Pirates of the Caribbean director Gore Verbinski and his team.

Large parts of the film feel like they've been ripped from plenty of other source materials (from a catalogue of horrors to elements of Scorsese's Shutter Island), and even the slow pans down the corridors recall The Kingdom, Lars von Trier's foray into TV.
A Cure For Wellness

And yet, despite the ending sequence, A Cure For Wellness remains a largely taut and well-executed trip into the fevered mind. It's a trip, to be sure, but the paranoia, suspense and madness within make it a journey well worth experiencing.

Sunday, 26 March 2017

Office Christmas Party: DVD Review

Office Christmas Party: DVD Review


It's the time of the year.

It's the season for excessive partying and generally letting everything fly.

So it's no surprise that Office Christmas Party looks to fill the seasonal blow-out with a comedy aimed at the fun-loving audiences seeking an R rated raunch fest.

Essentially, with a threadbare plot, it's the story of Silicon Valley star TJ Miller's Clay, who's the local branch manager of a computer company handed down to him by his father. But the company's facing tough times and when Clay's sister Carol (Jennifer Aniston in boss bitch mode, already pioneered in elements of Horrible Bosses) shows up with the threat of closing down their branch, Clay's determined to land a big client and save the day.

His plan - to woo Courtenay B Vance's Walter Davis with the biggest office bash they've ever seen - and despite Carol's refusal to let them party with redundancy around the corner...

Office Christmas Party sets its stall out early on.

It's actually quite tame in comparison to prior R Rated fare like The Hangover that wore its crudity and boorishness on its sleeve. There's a real feeling of family in the film, from the family of workers to the bickering family dynamic between Carol and Clay, and it softens proceedings from what you may be expecting.


Miller does a version of his Pied Piper CEO character Erlich Bachman, and at times, feels constrained by the script and story. (Miller's always at his best in a loose approach or improvising, and it distinctly feels like he's been reined in).

Bateman and Munn have a tentative romance brewing and dynamic that's sweet but never cloying, though equally it never feels riveting and lively, with the softness more at the fore. Bateman plays his usual laconic everyman, Munn plays a computer genius who's human, Aniston plays icy cold to perfection, and Miller gets goofball manchild down pat.

But there's little zing where there could be more - and even when the party kicks in, the chance to ramp up the raunch is squandered. It should have been more Crass-mas than anything else.

It ends up once again being a film that's stolen by Ghostbusters star Kate McKinnon's performance. This time, she's an uptight oddball HR rep who's determined to squash the fun, while secretly harbouring a desire to be involved.


In among the awkward moments and the obligatory pushing the attempts to make this Project Xin an Office block, Office Christmas Party never quite fully hits the vibe it should. Sidelined by the sweetness and stunted by the lack of some strong frat elements and not enough laugh out loud gags, this is, unfortunately, one Office Christmas Party that delivers a hangover and needed many more of the boozy highs. 

Saturday, 25 March 2017

Bad Santa 2: DVD Review

Bad Santa 2: DVD Review


Released by Madman Home Ent

Christmas comes every year.

And with it, there's a large portion of the world who are cynical and unimpressed as the commercial holiday kicks into gear, with its enforced jollity and OTT happiness.

The original 2003 outing of Bad Santa was the perfect antidote to the festive cheer - a crude, crass and comical caper that pitted a foul-mouthed thief and his dwarf friend against the festive season. Coupled with Terry Zwigoff's writing and Thornton's not giving a sh*t Santa, Bad Santa was near perfect holiday fodder, destined to take the shine off the saccharine season.

Unfortunately, Bad Santa 2 is the complete opposite; a piece of trashy cinema that plumbs the depths of depravity and somehow manages to mine deeper in its attempts to garner some jollies.


This time around, Billy Bob Thornton's beer-soaked Willie Soke is contacted once again by Marcus Skidmore (Cox) to help him crack open a safe with millions within. The kicker this time is that the safe is housed in a Chicago charity organisation, run by Christine Hendricks' Diane, a former alcoholic turned good. Ditching the innocent Thurman Merman (Brett Kelly, once again providing the naive simpleton approach), Sokes sets out to crack the safe and start again after being suicidal. But the kicker is that the con-job is being pioneered by his white trash estranged mother Sunny (Bates)....

Released 13 years almost to the day of the first film, Bad Santa 2 is distinctly difficult to love.

Much like its main star, who spends a disproportionate amount of time soaked in the booze, it's hard to see how anyone will get any laughs from this if they're sober. Every single punchline mines low hanging fruit and somehow manages to dig even deeper, ensuring the final outcome is a cloyingly annoying mix of depravity and puerile stupidity.

To be fair to the cast, they embrace this wholeheartedly, with Thornton once again proving to the antithesis to the normal dwellers of the red Santa suit. His deplorable and despicable antics prove fertile ground for some base jokes, but there's a real hint of tragedy about this man who can't get off unless he's called Santa and who starts the film by literally pissing on the past and trying to hang himself.


Equally prone to some kind of depression allegory is Kelly's Thurman Merman, a man-child whose outlook on life is clearly disconnected from the real world and whose eternal jollity comes naturally and provokes nervous laughter when anyone else would be calling for mental intervention.

The original wore its toxic despising of the enforced holiday period like a badge, a kind of honest heart on sleeve truth seldom acknowledged about the holiday period. This sequel, with its irritating desire to annoy with vulgar humour feels like a real let down for an attempt to follow a much-loved anti Christmas classic tradition.

Bad Santa 2 is one present under the Christmas tree that nobody cinematically will want; sure, some may get a perverse kick out of moments in its 90 minute run time, but others will want to run away as fast as their little elf legs can carry them. 

Friday, 24 March 2017

Aquarius: Film Review

Aquarius: Film Review


Cast: Sonia Braga
Director: Kleber Mendonça Filho

Sometimes, the words tour de force are bandied around performances with gay abandon.

But in the case of Aquarius, Kleber Mendonça Filho's film, Sonia Braga deserves the accolade.


Braga stars as Dona Clara, a music critic in her 60s, who stands resolute in her apartment building when all else have moved out and the developers come to tear it down. Refusing to move on after a full life in the same building, Dona Clara digs in, but not by drawing battle lines - but by simply living her life.

Reflecting on her past and living in her present, Braga's extraordinary class in the role lends the whole piece a sort of innate charm. Broken up into 3 chapters, the story follows its own lyrical beats and pace as it demonstrates a life well loved and friendships well nourished. The enigmatic Sonia Braga is a commanding presence throughout, imbuing the ageing Dona Clara with a sheen of genuine feeling that this is a life well-lived as society has changed around her.

And Filho's film also impresses too.

From the stunning seaside vistas from the Aquarius apartment in Brazil to the casual reveals about health issues or deaths, this is a film that's masterful and takes its time while spinning its observations out. Building on the life of her aunt early on and how she set the trend, it's easy to see Dona Clara's blossoming into a similar role as she fends off demands from her children to sell up and the developers, insisting that she's better leaving.


If there's to be a flaw it's the tail end of the film where the fight with the developers comes to a head with an abruptness that seems crowbarred in. Certainly, the final scene leaves you feeling the story's incomplete and unfinished, which given what you've invested in over the past 2 hours 20 mins is frustrating to say the least.

Aquarius is a lesson in class from Braga - she's the reason to see this film, a reminder that great performances are central to film. It's a pinnacle performance.